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This is where most people work when they do their color correction and grading. This first section of the panel is based on the well-known (at least for still photographers) panels in Lightroom and Adobe Camera RAW, so it’s easy to get started. This is great news! The Basic Correction Section Now, if you haven’t adjusted anything in the sections, they’re bypassed. In my book “ The Cool Stuff in Premiere Pro” I recommended that you turn unused segments off to save computer resources. Lumetri used to be a huge resource hog and calculated all the sections even if you hadn’t adjusted anything in them.
The six main sections of the Lumetri Color Correction panel in Premiere.
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So, whatever image processing or video editing software you’re coming from, you should be comfortable working on your color correction in Premiere using at least one of these sections. The Lumetri Color panel (and the effect itself in the Effect Controls panel) is divided into six main sections with somewhat overlapping functionality. It reveals the Lumetri Color Panel to the right and can show the Lumetri Scopes panel to the left of the Program Monitor.
The Color Workspace in Premiere Pro is a good starting point for color grading in Premiere. You could do the exact same adjustments in the Effect Controls panel, but the color correction controls in the Lumetri Color panel are much easier to adjust, and they’re always available in the same place. Whatever you adjust in the panel affects the corresponding settings in the Lumetri Color effect. Think of the Lumetri Color panel as a remote control for the Lumetri Color effect. The Lumetri Color Panel Is A Remote Control If you’ve been doing your color correction with Lumetri for a while and know how the controls work, you might want to skip directly to some of the other sections, linked above. Let’s start with an overview of the Lumetri Color Panel itself. Here we go: How Premiere Pro’s Lumetri panel works for color correction If you do color correction in Premiere Pro, you might enjoy the improved stability and speed of version 13.1.0-13.1.2, but this guide still has everything you need. There are newer releases from late spring 2019, but there are no new features other than some bug fixes and improved speed for certain tools. Note that everything I write here applies to color correction in the Adobe CC 2019 version of Premiere Pro (13.0).
Uninstall adobe premiere pro presets how to#
If you don’t, you might want to read up on color correction basics, as well as how to read scopes. The knowledge you get in this article will make you a color grading ninja without ever leaving Premiere/AE. I’m assuming you have at least a basic understanding of color correction concepts and terminology and know your way around scopes.
We’ll work on a wide range of problematic footage, using advanced techniques. In this article, we’ll dive into the hidden secrets and lesser-known corners of the panel. You’ll find the Lumetri Color Panel in both After Effects and Premiere Pro, and it’s extremely useful for both color correction and grading. Prepare to take a few more steps toward greatness! If you’re an editor who’s interested in Premiere Pro’s color correction tools, today I’m going to give you a decidedly deep dive into the Lumetri Color Panel. And few tools are as important and nuanced as those that affect color grading.
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The mark of every great editor is a full understanding of the tools at their disposal-and the ability to use those tools to their full potential. We updated it in June 2019 for Adobe CC 2019. Update: this article on Color Correction in Premiere Pro was first published in May 2018.